Politics, Technology, and Language

If thought corrupts language, language can also corrupt thought — George Orwell

Fringe 2011 Review: 74 Minutes of Stereo Radio Theater

Posted by metaphorical on 16 August 2011

74 Minutes of Stereo Radio Theater

1h 15m
VENUE #18: The Studio at Cherry Lane Theatre
Performance seen: Sat 13 @ 5:15
Remaining performances: Fri 19 @ 7 Tue 23 @ 8:45 Thu 25 @ 7 Sat 27 @ 5 Sun 28 @ 2
http://www.stereoradiotheater.com/

Rating: 9
(using the BroadwayWorld rating system of 10=effusive praise; 9=excellent; 7/8=positive with some reservations; 5/6=respectfully unenthused; 3/4=mostly negative; 2=little to recommend; 1=offended, insulted, angered)

If you want 74 minutes of pristine hilarity, you could hardly do better than to seek out “74 Minutes of Stereo Radio Theatre.”

This two-person show consists of eight hilarious vignettes: a game of desert island (pick one book, CD, food, person) that goes horribly wrong and right; a chance encounter on the street of two friends who decide to have a doomed love affair; a delusional tribal chieftan and his loyal and infinitely wiser advisor; a nervous new patient and her psychiatrist as they explore the voices of a large Jewish family in her head; a taping of a TV chef and her passive-aggressive mother; a bachelor showing an amorous young woman his collection of macaroni & cheese; a challenging job interview for a coveted position of gong ringer; and two teenagers who work in a trendy clothing chain store.

The last was expendable (and the gong ringer would have been a great—pardon the word—note to end on) but the first seven were thoroughly charming—in some cases surprisingly so. When the lights arose on the tribal chieftan I was sure I would hate the tired stereotype, yet it might have been my favorite segment. I teach my writing students that you need to exorcise clichés, except for the occasions when you turn them inside out, making them fresh again.

Or my favorite might have been the game of desert island—a textbook example for my students of building a scene with rising beats. The piece depends entirely on the timing of the machine-gun animus-laden repartee, a challenge the multitalented Maureen Fitzgerald (who also wrote the show) and Andrew Shulman (who directed it) met with surpassing ease.

Or my favorite might have been the gong ringer—a classically simple absurdist idea brilliantly executed, in which a ridiculously wealthy and eccentric mansion-owner more than meets his match in an revisionist scholar and exponent of a preposterous art form.

Shulman makes the most of his considerable acting abilities to turn another absurdist character—owner of the world’s largest collection of macaroni & cheese—into a sympathetic—albeit pathetic—potential boyfriend. It would be hard to pin Fitzgerald down to the vignette I liked most for her acting, and likewise for her writing—there’s just too much to choose from.

[more fringe 2011 reviews here]

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